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Khaled and Djaida – Arabia
Introduction
The literature of the Arab originated in the improvisations of stories and poems among the pre-Mohammedan inhabitants of Arabia. These were the oral recitations of the people, transmitted from generation to generation. It is improbable that anything was actually collected and reduced to writing before the Ninth or Tenth Century A.D., although some time during the Ninth Century Al-Asma’i brought together the elements that make up the Romance of Antar, one of the stories from which is here reprinted. This coloured and romantic accumulation of poetic stories and legends is the great epic of Arabian literature.

The Arabs are noted for nomadic existence, but there were also town dwellers in Arabia who appreciated a less simple story than the recitations of the wandering inhabitants of the desert and therefore im-ported several cycles or collections of tales, of which the supreme masterpiece is the celebrated Thousand Nights and One Night, better known as the Thousand and One Nights, or simply the Arabian Nights.

These famous tales had been translated from the Sanskrit (with certain elaborations) into the Persian, from which the Arabs borrowed them, though they added so much in the way of details and literary style that the collection may be considered an original contribution. These made their appearance in the Arabic somewhere between the Tenth and Fourteenth Centuries of our epoch.

It is hazardous to attribute to any one person the actual invention of a literary form, but it is customary to designate Hamadhani (968-1054) as the first writer of stories in Arabic. His art was practised and im-proved upon by Al-Hariri (1054-1122), whose Lectures constitute an imposing array of fanciful tales. The Golden Meadows of Mas’udi, composed during the Tenth Century, are interesting rather as commentaries upon contemporary life and manners than as tales.

Khaled and Djaida – After the appearance of the Arabian Nights, there was little more in Arabian literature in the way of short stories to be added. Modern literature is of relatively little importance.

The Arabian tale, although it was not altogether indigenous, has established itself, at least in the minds of Occidentals, as a sort of symbol of the romance of the Orient. There was a gorgeousness of local color, a riot of sensuous imagery in the best of the Arabian stories, that later writers have sought in vain to imitate.

Khaled and Djaida part 10

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Khaled was determined at once to resist her in this demand. They engaged in a furious combat. The struggle lasted for well oyer an hour, when the warrior saw in the eyes of his...

Khaled and Djaida part 9

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This is my demand: that on the day of my marriage, some nobleman`s daughter, a free-born woman, hold the bridle of my camel; she ipust be the daughter of a prince of the highest...

Khaled and Djaida part 8

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Khaled began by complimenting his uncle on his fortunate return from war, but no one could be more astounded than Zahir at this second visit, particularly when he saw his nephew with all the...

Khaled and Djaida part 7

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She thereupon mounted her camel at once, and started off through the desert on the tracks of Djaida, who immediately on her arrival home had told her mother everything that had happened. As soon...

Khaled and Djaida part 6

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When they separated neither one was hurt, and none could say which was the victor. Thus Djaida, while rousing the admiration of the spectators, perceived the annoyance they felt on finding their chief equaled...

Khaled and Djaida part 5

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On hearing these words Khaled cast his eyes on the ground; and remained for some time thoughtful and gloomy. Then he answered: “Mother, I cannot remain here longer. I must return home in company...

Khaled and Djaida part 4

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As for his cousin, the moment she had seen how handsome and valiant Khaled was, she fell violently in love with him. She was unable to sleep; she could not eat; and her love...

Khaled and Djaida part 3

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About the same time Moharib, the other brother, had a son born to him, whom he called Khaled. He chose this name out of gratitude to God, because, since his brother`s departure, his affairs...

Khaled and Djaida part 2

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Khaled and Djaida (From The Romance of Antar)Moharib and Zahir were two brothers, by the same father and mother; the Arabians call them “germane”. Both were eminent for their courage and daring. But Moharib...

Khaled and Djaida part 1

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ArabiaIntroductionThe literature of the Arab originated in the improvisations of stories and poems among the pre-Mohammedan inhabitants of Arabia. These were the oral recitations of the people, transmitted from generation to generation. It is...

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